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Saturday, March 07, 2026

Rock of the night

Craig-y-nos Castle (meaning:Rock of the Night), is a Scots baronial-style country house near Glyntawe in Powys, Wales. Built on parkland beside the River Tawe in the upper Swansea Valley, it is located on the southeastern edge of the Black Mountain.

The castle was formerly owned by opera singer Adelina Patti, but is now a wedding venue. Its landscaped grounds are a country park, managed by the Brecon Beacons National Park Authority. 

According to wikipedia, the main building was built between 1841 and 1843 by Captain Rhys Davies Powell, to designs by Thomas Henry Wyatt. It was bought by Morgan Morgan of Abercrave for £6,000 in 1876:

Captain Morgan and his family, plus his son also called Morgan Morgan and his family, lived jointly in the castle for several years. The family cleared a large plantation of 80-year-old fir trees which stood between the castle and the quarries above, which were said to be home to a local population of red squirrels.

Adelina Patti purchased the castle and surrounding park land for £3500 in 1878 to develop it as her own private estate. She spent the rest of her life at Craig-y-nos, leaving it only to sing in the premier opera houses of Europe and to tour the United States:

After her second marriage, to French tenor Ernesto Nicolini, she embarked on a major building programme at the castle, adding the North and South wings, the clock tower, conservatory, winter garden and theatre. After making her last public appearance in October 1914, when she sang for the Red Cross and filled the Albert Hall, she spent the rest of her life at Craig-y-nos with her third husband. The castle is a Grade II* listed building.

The Adelina Patti Theatre is a Grade I listed opera house. Built to be Patti's own private auditorium, it was designed by Swansea architects Bucknall and Jennings, with input from Sir Henry Irving. Briefed by Patti to be her miniature version of La Scala, Milan, it incorporates features from Wagner's Bayreuth Festspielhaus opera house in Bayreuth, and the Theatre Royal, Drury Lane, London.

At 40 feet (12 m) long, 26 feet (7.9 m) wide and 24 feet (7.3 m) high the auditorium was originally decorated in pale blue, cream and gold wall panels. Ten Corinthian columns support the ceiling, and in between these are the names of composers such as Mozart, Verdi and Rossini, all gilded and surmounted by Madam Patti's monogram. The stage area was originally fronted by blue silk curtains, with a back drop that illustrates Madam Patti riding in a chariot, dressed as Semiramide from the opera of the same name by Rossini. The design incorporates a mechanical auditorium floor which can be: raised level, for use as a ballroom; or sloped towards the stage, when in use as a theatre. The theatre incorporated an organ, given to Patti in the United States after one of her tours. This was dismantled in the 1920s when the buildings became a hospital.

Able to seat 150 people, the back of the theatre houses a gallery where the domestic staff would sit, enabling them to enjoy the performances. The orchestra pit is separated from the seating area by a balustrade, and holds up to 24 musicians.

Invitations for the July 12, 1891, opening event went to two types of guest: those invited to stay at the castle, and those invited just for the performance. House guests included: the Spanish Ambassador; Baron and Baroness Julius De Reuter, founder of the Reuters news agency; and Lord and Lady Swansea. Journalists from international newspapers including The Daily Telegraph, Le Figaro and the Boston Herald were also invited as house guests to report on the opening. 

Final rehearsals occurred in the afternoon with the Swansea Opera Company, before a specially chartered train arrived at Penwyllt with the performance guests. Due to start at 20:00, the performance eventually started at 20:30 after a light tea. Sir Henry Irving was to have given the opening address, but as he was unable to attend, leading actor William Terris deputised. Patti's performance included the prelude to act one of La traviata, and in the second half the Garden Scene from Faust. There then followed a buffet supper served in the conservatory, with a total of 450 bottles of champagne consumed at the party.

Today the theatre remains a time capsule, and the stage is probably the only surviving example of original 19th century backstage equipment. The opera house is licensed for weddings.

Naturally, the castle is said to be haunted and occasionally hosts ghost tours.

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